Includes Rolling Stones classic "Angie" and Blues Special featuring legends like Robert Cray, Kenny Wayne, ZZ Top and techniques like chord tapping and much more.Tweet
The sole purpose of this blog is to get all the links to guitar lessons,guitar tabs,books,albums,instructional videos etc. at the same place...u'll find stuff from legends like satriani,vai,malmsteen,petrucci,jason becker,michael angelo and many more...feel free to search my blog to find stuff of your interest...KEEP ROCKING!!
Includes Rolling Stones classic "Angie" and Blues Special featuring legends like Robert Cray, Kenny Wayne, ZZ Top and techniques like chord tapping and much more.
Passages is regarded by many fans and critics as Frank Gambale's best overall album. Strong songs and strong performances are turned in by the entire all-star lineup, which includes Otmaro Ruiz, the sensational keyboardist from Caracas, Venezuela, who is a perfect match forGambale. The rhythm section is the firepower of Alphonso Johnson (bass), and Walfredo Reyes Jr. (drum ). Passages is a classic album with classic songs like the title track, "Little Charmer", "6.8 Shaker", and Gambale's instrumental cover of the Cream song "White Room". A great first album for the instrumental fan new to the music of Gambale.
Contains the three books, Learn to Play Guitar with Jamorama for Beginners, Intermediate and Advanced.
This excellent book is not only a transcription about some Allan Holdsworth's material between 1976-1986, but a good reference of the master's thinking. It contains a current biography, a selected discography (just the records which allan is proud of),a lot of photographs, a detailed story about each song, and a humble "Holdsworthian View" of the revolutionary guitarist, who really transform the aproach to the instrument: His style not only consist in a fluid liquid legato interpretation of fusion scales but a total creative harmony landscape that has became a new language for others.
Shred guitar monster Rusty Cooley is back yet again with another superior instructional CD-Rom brought to you by Chops from Hell. "Extreme Pentatonics" is Cooley's sophomore release and its phenomenal. I never dreamed of so many ways to play the same damn pentatonic scale! Rusty will take you out of your standard box pattern rut and give you the tools to make your soloing that much more impressive. I found myself like other guitarists out there thinking that I learned all I could from using this basic of scales. Well, man was I wrong! This instructional ROM has well over 100 different examples and licks. Yes, I did say 100 plus. So now your combinations of patterns and movements are endless (100 to the power of something or other). You do the math. ;-)
Full Tablature/Transcriptions of the following songs:
George Benson is well embarked on the third phase of his career, and Absolute Benson, though unfortunately titled (it sounds like a compilation, but is actually an album of new recordings) is another in a series of consistently excellent CDs that characterize it. Benson excited traditional jazz fans in the 1960s and early '70s with his albums of inventive guitar playing on Columbia, A&M, and CTI, records that made him seem the logical successor to Wes Montgomery. Then, in 1976, he moved to Warner Bros. Records and recorded Breezin', featuring the single "This Masquerade," on which he sang, and suddenly he became a million-selling pop vocalist who happened to play guitar, seemingly the logical successor to Nat "King" Cole. That, of course, made him anathema to traditional jazz critics. After a decade, however, his pop success began to diminish, and by the end of the decade he was making another move -- to contemporary jazz. By the 1990s, he was restricting his vocal excursions to a few tracks on each disc, and his albums began to top the contemporary jazz album charts consistently. His move from Warner Bros. to GRP, a label devoted to contemporary jazz, confirmed the transition. Absolute Benson is his third GRP release, and on it he turns in a varied set, accompanied by Joe Sample on keyboards; Carlos Hernandez or Christian McBride on bass; Vidal Davis, Steve Gadd, or Cindy Blackman on drums; and Luis Conte or Luisito Quintero on percussion. Four of the nine tracks feature vocals of one sort or another. On the leadoff track, "The Ghetto," Benson (accompanied by five background vocalists) sings a few words, and on "Come Back Baby," he takes a real lead vocal, while on "El Barrio" and "Medicine Man" he only scats along with his guitar playing in his familiar style. But none of these performances is a conventional pop vocal performance. Similarly, Benson flirts with various pop music styles, covering Donny Hathaway's "The Ghetto," Stevie Wonder's "Lately," and Ray Charles' "Come Back Baby" for elements of R&B and blues, while "El Barrio" has a Latin feel. But he employs these styles as flavorings, the main course of which always remains his melodic guitar playing. His lead work in "Jazzenco" is particularly notable, but throughout the disc he plays with assurance in a manner his fans will recognize and appreciate. If it is difficult to crossover from jazz to pop, crossing back can be just as treacherous. Benson's oldest fans, who later became his detractors, still may not be satisfied with his current approach, but it has deservedly won him a secure place in contemporary jazz.
Frank's innovative speed/sweep picking technique and how to develop your own monster licks.Gambale demonstrates his technique with diatonic scales, pentatonic scales, arpeggios, and triads, playing each slowly and then at lightning speed. DVD special features include tuning segment, video performance with Allan Holdsworth and John Scofield, Concert with Class preview, Frank Gambale catalog, and Internet connectivity.
B.B. King unleashes his inner crooner on this collection of 13 of his sentimental favorites. With a five-piece studio band rather than his usual orchestra, the arrangements stay spare throughout, allowing King to exercise his classic vocal chops--although some fans may be disappointed by his low-key guitar playing, as King's beloved axe Lucille plays second fiddle to Texas guitarist Doyle Bramhall II's six-string. Still, King's in excellent voice, whether revisiting early inspiration Lonnie Johnson's romantic "Tomorrow Night," embracing buddy Willie Nelson's golden "Always on My Mind," or tackling numbers recorded by Sam Cooke and Nat "King" Cole ("(I Love You) For Sentimental Reasons"), Louis Armstrong ("What a Wonderful World"), and Frank Sinatra ("I'll String Along with You"). Fans will recognize "On My Word of Honor" and the King original "Neighborhood Affair" from previous recordings and "I Want a Little Girl" from his live performances. Although King does justice to all these numbers, his most heartfelt selection may be "A Mother's Love," a performance that seems to draw on the heartache he still carries from the loss of his own mother when he was a child, nearly 70 years ago.
Tracklist:
1. Exactly Like You
2. On My Word Of Honor
3. I Want A Little Girl
4. I'll String Along With You
5. I Need You
6. A Mother's Love
7. (I Love You) For Sentimental Reasons
8. Neighborhood Affair
9. Tomorrow Night
10. There I've Said It Again
11. Always On My Mind
12. Cross My Heart
13. What A Wonderful World
Rar Password: awangarda
TweetThis is a great solo performance by legendary Pink Floyd guitarist (yeah vocalist too), David Gilmour. Just close your eyes and feel this song..it takes you to another place..simply awesome!!
You can download this youtube video with Vdownloader
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This visceral live recording from April 1, 1980, was broadcast on radio from the Steamboat 1874 club in Stevie Ray Vaughan's adopted hometown, Austin, Texas. It circulated among collectors, and his manager used some of the tape as a demo before Vaughan was signed to Epic Records by John Hammond. Young Stevie Ray's performance bristles with uncorked energy. Vaughan is caught improvising on raw slide guitar, growling through Otis Rush's "All Your Love (I Miss Loving)," and pushing his fretboard speed and vocal limits on Guitar Slim's "They Call Me Guitar Hurricane." Also offered are unpolished versions of tunes that became fan favorites: "Tin Pan Alley," "Love Struck Baby," and "Tell Me."
Full acoustic guitar transcriptions of seven of David Bowie's classic hits, in full guitar tablature with vocal lines and lyrics. Accompanying CD includes two backing tracks for each song: one with guitar and one without guitar. Hear how the song should sound, sing along with a full backing track, or play guitar and sing along.
The long-defunct, Southern California band regrouped for an album, an expensive tour (expensive for ticket buyers, that is :-D), and this televised special, which features the Eagles in performance. Laid-back but sharp and even stirring during a longish acoustic set, the guys quickly get past the nostalgia element and sound truly viable. They even make it look easy: the sight of Joe Walsh wearing glasses and sitting in almost perfect repose as he effortlessly colors old hits "Tequila Sunrise" and new material such as "Learn to Be Still" may make you wonder why you ever stashed that guitar in the attic. This was the first time that "Hotel California" was performed on acoustic guitars and almost every band jams on that song. All in all, it's an enjoyable and mellowing show. Also includes interviews and bonus footage.
71 minutes and one second of slick new age noodlin'. You'd expect Buckethead to come up with something extreme & brutal while being a member of Axl W. Rose's troupe, but no such luck. Electric Tears is basically Colma, Vol. 2, entirely instrumental and ambient, yet even more mellow and minimalist. This time around, all tracks - except for "Sketches of Spain," which is an (abridged) interpretation of Joaquin Rodrigo's "Concierto de Aranjuez" (also adapted by Miles Davis) - were written, composed, arranged and played by Buckethead, so it's a guitar-only album. He usually juxtaposes acoustic and electric parts, as such creating gently shading sound blankets that balance somewhere in between breezy classical, folk, new age and the occasional hints of flamenco and blues. "Pretty" is the key word, as one tasteful melody follows the next and one movement fluently morphs another one. However, everybody's favorite mystery musician realises that prettiness is much more intoxicating with a dash of melancholy, and so several of these tracks have a dream-like quality with a hint of sadness to them. Titles like "The Way to Heaven," "Baptism of Solitude," and "Spell of the Gypsies" are also appropriate, just like less obvious picks "Padmasana" (the traditional lotus-position), "Datura" (a herb that's a deliriant) and "Mantaray" (a kind of stingray). However, at one hour and 11 minutes, Electric Tears is also quite a chore to endure, since only the repetitive blues riff of "Kansas Storm" offers a break from this succession of elegant instrumentals, many of which almost sound like they could've been used on Pink Floyd's Wish You Were Here, had they been written with a full band in mind. By consequence, Electric Tears works fine as background music - especially if you're a dentist, chiropractor or psychic - but doesn't present nearly enough variation for repeated listening.
Play Guitar With Iron Maiden on six of their greatest songs with these specially recorded CD backing tracks ('soundalike' instrumental tracks... specially performed to simulate the original recordings) plus a matching music book featuring both guitar tab and standard notation of each song with chord symbols plus complete lyrics for vocalists. Track 1 is a tuning track, tracks 2 to 7 offer full instrumental tracks with guitar (showing you how it should sound, and a backing for vocals), while tracks 8 to 13 feature the backing tracks without guitar and without vocals, so you can take the lead and rip!
If you are a Rory fan or have an interest in 70's blues based progressive guitar rock this album is essential. Rory, along with The Groundhogs Tony McPhee, and Fleetwood Mac's Peter Green were the best in this genre. Actually Rory was the most energetic performer of them all.
Full transcriptions/tablature of the following songs:
Guitar World magazine march 2007 issue.
Okay so as my 300th post i'm posting something from one of my favorite shredders Paul Gilbert. 300 posts in about 7 months..not bad huh ;-)Use hjsplit to join files.
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The first album “Soldiers Of The Night” of VICIOUS RUMORS runs in the same vein as the legendary METAL CHURCH debut. They do not offer us pure Speed Metal, but power-oozing Metal of the American school make this album just as much of an essential buy as the already mentioned METAL CHURCH. The instrumental fraction already back then had been top notch. On this album played the back then rather unknown, but later pretty popular guitarist Vinnie Moore.
Tracklist:
*Premonition
*Ride (Into The Sun)
*Medusa
*Soldiers Of The Night
*Murder
*March Or Die >mp3
*Blitz The World
*Invader (Instrumental)
*In Fire
*Domestic Bliss
*Blistering Winds
With Warp VST, Steinberg has made the warm sound of three well-known guitar amplifiers available for the VST 2.0 interface. The sound characteristics of three classic amps and three outstanding speaker cabinets are now authentically recreated in software, using Hughes&Kettner's groundbreaking DSM technology - in real-time.